Jeffrey Carduner, Aesthetic Realism consultant, writes: Do the inner battles of a famous American author have to do with our own biggest questions?  Are these questions about how we see our relation to the whole world?  Read “Our Selves & Ernest Hemingway,” the great new issue of The Right of Aesthetic Realism to Be Known. The commentary by… Read more

Barbara Kestenbaum, retired union delegate and shop steward, writes for the Unions Matter! blog. She says: I think unionists, economists, and everyone who cares about the well-being of our country should read “America—& What Unions Are About.” The commentary by Ellen Reiss in this issue of The Right of Aesthetic Realism to Be Known is… Read more

Ken Kimmelman, Emmy award-winning filmmaker and Aesthetic Realism consultant, says about this upcoming class in his course “If It Moves, It Can Move You”: Opposites in the Cinema: Al Capone, Dutch Schultz, John Dillinger, Baby-Face Nelson have been portrayed on the big screen. What’s the attraction of gangster films? Many of them (maybe most) exploit… Read more

Nancy Huntting, Aesthetic Realism consultant, writes: Where does racism begin? And how can it finally end? What do these urgent questions have to do with art—and with relation? Read “Art versus Racism,” the new issue of The Right of Aesthetic Realism to be Known!  The commentary by Ellen Reiss begins: Dear Unknown Friends: We are… Read more

Leila Rosen, Aesthetic Realism associate, writes about this upcoming Public Seminar: Consultants Bruce Blaustein, Derek Mali, and Arnold Perey—authorities on the questions of men—will present what Aesthetic Realism can teach every person on this important subject. We’d all like to feel we’ve had a good effect on people. Meanwhile, consciously and not, we’re in a… Read more

Steven Weiner, Computer Specialist and Aesthetic Realism associate, writes: What is the deep, unspoken debate present always in a person’s mind—including as one goes to sleep? Is it an ethical debate? And what does it have to do with sleeplessness? For the very necessary answers to these questions, read “Day & Night, Awake & Asleep—We… Read more

Ken Kimmelman, Emmy award-winning filmmaker and Aesthetic Realism consultant, says about this upcoming class in his course “If It Moves, It Can Move You”: Opposites in the Cinema: The films of Akira Kurosawa, one of the most celebrated directors, encompass the intimate aspirations of one man, epic armies battling for power, the struggles of the… Read more

Jeffrey Carduner, Aesthetic Realism consultant, writes: Relation—is there anything more essential for a person to know about in order to have a happy life? Read the answer in “Relation: The Most Important Subject”—the new issue of The Right of Aesthetic Realism to Be Known. The commentary by editor Ellen Reiss begins: Dear Unknown Friends: Here is part… Read more

Nancy Huntting, Aesthetic Realism consultant, writes: What’s the big meaning—for our lives, and for art—of relation? And in our relations with other people—how can we be honestly self-confident? Read “How We See Relation,” the great new issue of The Right of Aesthetic Realism to Be Known. The commentary by Ellen Reiss begins: Dear Unknown Friends:… Read more

Leila Rosen, Aesthetic Realism associate, writes about this upcoming Public Seminar: Aesthetic Realism explains, as nothing else does: 1) what the purpose of love and marriage is, and 2) what in women and men interferes, causing so much unnecessary pain. At this important seminar, the Aesthetic Realism consultation trio There Are Wives–Barbara Allen, Anne Fielding, and Pauline… Read more