Aesthetic Realism Foundation

  • Subscribe
  • Contact
  • Directions
  • To Contribute
  • flat_facebook

Library

Aesthetic Realism and Learning

By Eli Siegel

LEARNING CAN BE DEFINED as the getting into oneself of the world, with as much variety, as much order, and as much respect as possible. These three things have to be there; because the danger in learning is that we can specialize in a very bad way, and specialism and insanity are two phases of the same thing: insisting that a part of something is the whole thing. So there has to be variety to true learning. There has to be organization, or order. Then, since it can’t be just a gobbling up, there must be some respect—that is, a feeling that it is good for this to be important as a thing in itself, outside of one’s acquisitive desires.

One of the best ways of seeing how important learning is, is to see how, whenever people make a mistake—misspell a word or say that a book was written by that author instead of this author—they are really very perturbed. The fears of people are a way of seeing how deeply learning is wanted by persons. The going after it in a false way, in a feverish way, is witness to how big it is and how necessary it is in a true way.

Microcosmography, John EarleThe pretense to learning can sometimes take a very funny form. John Earle wrote a book called Microcosmography, published in 1628, and wrote in this book about a “Pretender to Learning”: “He conceits nothing in learning but the opinion, which he seeks to purchase without it.” When a person wants the reputation for something, it does mean that somewhere he wants the thing itself. He doesn’t want it that much as to get it truly, but he wants to appear as if he had it, which means that he does care for it with a phase of himself. So this person wants the “opinion” of learning—that is, he wants people to think he is learned—and he wants to purchase it without learning.

“He is oftener in his study than at his book, and you cannot pleasure him better than to deprehend him: yet he hears you not till the third knock, and then comes out very angry, as interrupted.” Which means that he likes people, really, to find him in his study where there are lots of books and he can act as if he were very fond of learning, yet when people knock on his door he acts as if he didn’t hear them, and acts as if he were very much annoyed. (“Deprehend him” means come upon him suddenly.)

Just as some people will put books on stands—particularly books that have imposing titles, like The Study of History, or The Meeting of East and West, or A New Concept of Gestalt, or Santayana’s Concept of Essence—and will place those books nicely so that people will get impressions, this person puts a whole folio (which is a big book) on his table. “His table is spread wide with some classic folio, which is as constant to it as the carpet, and hath laid open in the same page this half year.”

“His candle is always a longer sitter-up than himself, and the boast of his window at midnight.” He goes to bed, but his candle is up so that people can think he is studying.

This is an example of an interesting pretense about learning. I have seen it in ever so many forms. But the fact remains that people cannot acknowledge to themselves that they aren’t interested in learning. Learning seen as a manner of getting the world within us in its variety, if possible in its unity, and with respect, and with order—that is difficult and there is a big thing in people against it. Sometimes it makes for learning in one field with a hate of learning in another; and that is bad, because it is that specialism which is next door to division or insanity.

What Is Learning?

In the Book of Proverbs we have a tremendous praise of learning as practical: “Happy is the man that findeth wisdom, and the man that getteth understanding. / For the merchandise of it is better than the merchandise of silver, and the gain thereof than fine gold” (3.13-14).

“Length of days is in her right hand” (3.16)—which means that if you have learning, you can live a long time. “Thou shalt lie down, and thy sleep shall be sweet” (3.24)—if you have learning you can go to sleep in a good way.

However, there has been a great deal of comedy which says that no matter how much a person is learned, he can be unlucky or foolish. The question is, What does it mean to be learned? If you avoid having the world as it is in you, you are not learned; you simply have all kinds of notions about the world which are not the same as the world itself; your learning is a lot of terminology without what the terminology should stand for. Many things that have looked like learning have seemed to slow up people, but in all instances it wasn’t the real thing.

Piping and Panning, Edwin Meade RobinsonIn the America after the First World War there was a disposition to make fun of learning—as there has been all the time. A columnist for the Cleveland Plain Dealer, Edwin Meade Robinson, answered those carpers at learning who showed what happens to all the college youths who do so well in their studies—they usually go to taverns or come to New York and get lost. I read “How He Turned Out,” from Piping and Panning (1920). Robinson is one of the best metrists in America. I’m not enthusiastic about its strict poetic value. “When he was young, his parents saw (as parents by the million see) / That Rollo had an intellect of quite unequaled brilliancy.”

It is quite true that many children seem to go for learning and then bad things happen; some of the unhappiest persons have been prodigies. However, the desire to learn is one of the big things one can see in the child. It shouldn’t be corrupted, called a phase of something else, something sexual. The desire to learn is part of the desire to live, and a child wants to live once he is born. Most children don’t want to go back to the womb. If you don’t want to go back, you might as well find out what you are meeting, and if you want to find out what you are meeting, you want to learn. Learning goes on every time you really look at something in order not to forget it. If your desire to look at it is to forget it, you don’t want to learn, but if you have even a ten percent desire to remember it, you have a desire to learn. Then, if you want to be particular about what you look at, and you want to plan your looking, and not miss things that should be looked at, you want to learn in a deeper way.

“At ten he knew astronomy and differential calculus.” We see in this lightsome verse the varieties of learning. A person can look very closely at a few letters on a page, and also look at the planets; then there is differential calculus, which shows that figures, quantities, have a mobile relationship, a strange relationship, which can be dealt with logically. “And at eleven could dissect the tiniest animalculus.”

“Music he learned—the old and sweet, the up-to-date and hideous.” Anytime you are learning something, you want to take something from the exterior world and somehow change it into yourself. Learning is a changing of something into yourself.

“At last, with learning that would set an ordinary head agog, / His education far outshone his most proficient pedagog.” The best thing about learning is that it is associated with brightness. Though seemingly learned people have been mopes and drips and dull, we always talk of a person who is really learned as shining. We say that a child who wants to learn is “bright”; a mind can be “shining,” “brilliant.” That is the best tribute, because it shows that learning stands for life, that the desire to learn is the desire for life.

By this time many things had been written showing that learning didn’t get you anywhere, so you might as well be a bootlegger: “This man (it’s hard on humor, for it breaks the well known laws of it!) / Was happier for his learning, and a great success because of it!” In this deft way, we have a continuation of the doctrine in Proverbs: wisdom pays, learning pays; so you’d better get in on it—putting it bluntly.

Continue, to Part 2

♦

Return to introduction

Film by Ken Kimmelman

Here we present a work of art that—more than any other we know—can bring people the true composure and strength of mind and feeling everyone is thirsting for. See the stirring film of Eli Siegel’s prize-winning poem Hot Afternoons Have Been in Montana.


NOW ONLINE

Definitions, and Comment: Being a Description of the World
by Eli Siegel

These exciting definitions are philosophic, powerfully logical, and always enormously important for our lives.

Classes
Films & Videos
Calendar

Most Viewed Posts

  • The Philosophy of Depression

  • The Right of Aesthetic Realism to Be Known

  • “Alexander Calder: Art Answers the Questions of Our Lives”

  • Black & White: A Poem with Photographs

  • “Is Beauty the Making One of Opposites?”

  • “Books”—an Essay for Children

  • “A Good Husband: What Does That Mean?”

  • “Man and Nature in New York and Kansas”

  • “Hawthorne’s ‘The Man of Adamant’”

  • “The Beauty of Art & the Pain about Love”

  • Home
  • About
    • About Us
    • Mission Statement
    • What Is Aesthetic Realism?
    • Eli Siegel, Founder
    • Faculty
    • Some Background
  • Calendar
  • How to Study
    Aesthetic Realism
    • Classes
      • The Aesthetic Realism Explanation of Poetry
      • Anthropology Is about You & Everyone
      • “If It Moves, It Can Move You”: Opposites in the Cinema
      • The Visual Arts & the Opposites
      • The Aesthetic Realism Teaching Method
      • The Opposites in Music
      • Understanding Marriage!
    • Consultations
      • What Happens in an Aesthetic Realism Consultation?
      • Aesthetic Realism Consultation of Nancy Huntting
      • Coldness, Warmth, & Mistakes by Jaime Torres, DPM
      • What Kind of Effect on Men? by Lauren Phillips
      • My Aesthetic Realism Consultations by Richita Anderson
      • The Fight about Excitement by Dan McClung
      • The Trouble with Competition by Miriam Weiss
    • Workshops for Educators
    • Outreach
      • Art Talks
      • Architecture
      • Bullying
      • Film Presentations
      • Seniors
      • Theatre Company
      • Young People
  • Events
    • Public Seminars
    • Theatrical & Musical Matinees
    • Saturday Night Presentations
    • Directions
  • Periodical
  • Library
    • Online Library
    • Films & Videos
    • Blog
    • Lectures
      • Aesthetic Realism and Love, Introduction
      • Aesthetic Realism and Love, Part 1
      • Aesthetic Realism and Love, Part 2
      • Aesthetic Realism and Expression, Introduction by Ellen Reiss
      • Aesthetic Realism and Expression, Part 1
      • Aesthetic Realism and Expression, Part 2
      • Aesthetic Realism and Hope
      • Aesthetic Realism and Hope, Part 2
      • The Drama of Mind, Introduction
      • The Drama of Mind, Part 1
      • The Drama of Mind, Part 2
      • Aesthetic Realism and Learning, Introduction
      • Aesthetic Realism and Learning, Part 1
      • Aesthetic Realism and Learning, Part 2
      • Aesthetic Realism and Learning, Part 3
      • Map to Happiness, by Eli Siegel
      • Greenwich Village Is in the World
      • Mind and Intelligence, Introduction by Ellen Reiss
      • Mind and Intelligence, by Eli Siegel, Part 1
      • Mind and Intelligence, by Eli Siegel, Part 2
      • Mind and Intelligence, by Eli Siegel, Part 3
      • Mind and Schools
      • Mind and Schools by Eli Siegel, Part 1
      • Mind and Schools by Eli Siegel, Part 2
      • Mind and Schools by Eli Siegel, Part 3
      • Aesthetic Realism and People
      • Aesthetic Realism and Education
      • So, What Is Bitterness?
    • News Archive
    • Related Resources
  • Book Store
  • Visual & Dramatic Arts
    • Terrain Gallery
    • Koppelman Foundation
    • Aesthetic Realism Theatre Company
  • En Español

To Contribute | Contact | En Español

Aesthetic Realism Foundation    141 Greene Street   New York, NY 10012   212.777.4490

Privacy Policy | Blog Comment Policy   Copyright © 1997–2025   Aesthetic Realism Foundation

To Contribute | Contact | En Español

Aesthetic Realism Foundation
141 Greene Street
New York, NY 10012
212.777.4490

Privacy Policy

Blog Comment Policy

Copyright © 1997–2025
Aesthetic Realism Foundation

MENU
  • Home
  • About
    • About Us
    • Mission Statement
    • What Is Aesthetic Realism?
    • Eli Siegel, Founder
    • Faculty
    • Some Background
  • Calendar
  • How to Study
    Aesthetic Realism
    • Classes
    • Consultations
    • Workshops for Educators
    • Outreach
  • Events
    • Public Seminars
    • Theatrical & Musical Matinees
    • Saturday Night Presentations
    • Directions
  • Periodical
  • Library
    • Online Library
    • Films & Videos
    • Blog
    • Lectures
    • News Archive
    • Related Resources
  • Book Store
  • Visual & Dramatic Arts
    • Terrain Gallery
    • Koppelman Foundation
    • Aesthetic Realism Theatre Company
  • En Español
    • Subscribe
    • Contact
    • Directions
    • To Contribute
    • flat_facebook