Ken Kimmelman, Emmy award-winning filmmaker and Aesthetic Realism consultant, says about this upcoming class in his course “If It Moves It Can Move You”: Opposites in the Cinema: There have been more and more films about the lives of people as they grow older. While the circumstances as to family, love, usefulness, money, health may… Read more

Nancy Huntting, Aesthetic Realism consultant, writes: Can we have the emotions we hope for? Can we be proud of our response to people and things? The answers are crucial to our happiness, and they’re written of honestly and greatly in “Intensity, False & True,” the new issue of The Right of Aesthetic Realism to Be Known!… Read more

Jeffrey Carduner, Aesthetic Realism consultant, writes: What is the greatest human question? And how does it affect various choices we make, feelings and drives we have? Read “Every Day, It’s Ourselves & the World,” the new, vital, and very kind issue of The Right of Aesthetic Realism to Be Known. The commentary by editor Ellen Reiss… Read more

Leila Rosen, Aesthetic Realism associate, says, “I’m very proud to be taking part in this public seminar.” She writes: As we approach summer, people are thinking of how we can break out of ordinary routines, let loose, be free. So, what is the freedom we’re looking for? And why can a woman, even when she… Read more

Steven Weiner, Computer Specialist and Aesthetic Realism associate, writes: Do our liveliness and our thoughtfulness have to fight? Can we be both active and composed, energetic and calm—at once? Can we learn about this from the true poetry of the world? Read the answers to these questions, and more, in “Slowness & Speed: Poetry’s Opposites & Ours,” the important… Read more

Ken Kimmelman, Emmy award-winning filmmaker and Aesthetic Realism consultant, says about this upcoming class in his course “If It Moves It Can Move You”: Opposites in the Cinema: A wonderful subject of the cinema has been food. Watching a delicious meal being prepared, or enjoyed, has enthralled people. (Remember the famous tavern scene in Tom… Read more

Nancy Huntting, Aesthetic Realism consultant, writes: Is there a central fight going on in everyone—which people haven’t understood and which has made for turmoil? And can we have a really good time, through art, making sense of it? Yes! Read “The Battle in Us All—& Matthew Arnold,” the deeply kind new issue of The Right… Read more

Leila Rosen, Aesthetic Realism associate, writes about this upcoming Public Seminar: We’re all looking for love—but often, what begins with our feeling that we’ve found it, ends in our saying: “How could I have been so stupid?” This is not inevitable!   At this exciting and needed seminar, consultants Arnold Perey and Devorah Tarrow and associate… Read more

Jeffrey Carduner, Aesthetic Realism consultant, writes: Is self-respect possible as to a matter that people find propellingly attractive yet also confusing, even tormenting? It’s an experience of a lifetime to read “What Will Make One Proud?,” the magnificent new issue of The Right of Aesthetic Realism to Be Known. The commentary by editor Ellen Reiss… Read more

Ken Kimmelman, Emmy award-winning filmmaker and Aesthetic Realism consultant, says about this upcoming class in his course “If It Moves It Can Move You”: Opposites in the Cinema: The struggle for political power has gone on throughout history, and there have been juntas, cover-ups, and coups. These have been the subject of many films. Some… Read more