Public Seminar
Thursday, January 1, 2015, 6:30 PM
Presented by Barbara Allen, Anne Fielding, Edward Green,
& speakers from the Opposites in Music class
♦
Meryl Nietsch-Cooperman on:
George Gershwin’s Rhapsody in Blue
Sportive & Profound; Sassy & Deep
Sportive & Profound; Sassy & Deep
♦
Lynette Abel on:
Tenderness & Strength; Logic & Emotion in
Tenderness & Strength; Logic & Emotion in
“Che gelida manina” from Puccini’s La Bohème
♦
Kevin Fennell on:
The Thrill of Stop & Go in
the Marvelettes’ “Please Mr. Postman”
♦
Steven Weiner on:
The Quiet Ecstasy of
Johann Sebastian Bach’s Cantata 140 (Wachet auf)
Steven Weiner on:
The Quiet Ecstasy of
Johann Sebastian Bach’s Cantata 140 (Wachet auf)
♦
Jazz pianist Alan Shapiro on:
Roughness & Sweetness in Louis Armstrong’s Rendition of
“I Can’t Give You Anything but Love”
Roughness & Sweetness in Louis Armstrong’s Rendition of
“I Can’t Give You Anything but Love”
♦
Contri. $10
Aesthetic Realism Foundation
141 Greene Street
New York, NY 10012
212.777.4490